My work engages in a Kantian quest to capture the experience of the sublime through the limited means of human consciousness. It is a question transcends cultural boundaries and one that opens onto fundamental inquiries into the nature of human existence: who we are and what is our significance in the material cosmos?
My work began with traditional media and materials, but has evolved into an engagement with computer-rendered abstractions. Modeling my animations on the allegorical paintings of Casper David Fredrich, I discovered that his aspiration to explore the nature of physical and metaphysical limits mirrored a fundamental aspect of Chinese Traditional Landscape Painting. Extending out from the pictorial, my installation work engages in a metaphoric relationship with physical perception, by which the sublime is framed and the viewer is invited to enter into a liminal interior within a digitally constructed realm.