Snow Yunxue Fu’s artwork approaches the subject of the Sublime using topographical computer rendered animation installations. She examines and interprets the world around her through digital reality, where she draws a parallel to the realms of the physical, the virtual, the metaphysical, and multi-dimensionality.

Fu's work carries an appreciation for the multicultural history of landscape painting as she expands it into a contemporary context: her CGI animations and VR experiences are inspired by both the allegorical, romantic paintings of Caspar David Friedrich and the traditional Chinese landscape paintings that blur individual and linear perspectives in voluminous “virtual” space. Extending out from the pictorial, Fu’s installation work engages in a metaphoric relationship with physical perception, by which the sublime is framed and the viewer is invited to enter into a liminal interior within a digitally constructed realm.